This episode was recorded immediately following the dress rehearsal for Eugene Ballet’s production of Cinderella on Nov. 4, 2021. The performances mark 23 months(!) since Orchestra Next’s last performance with the Ballet at the Hult Center…and there are a LOT of feelings about it all….
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Nov052021
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Oct272021
For this episode, we welcome ON alum Tony Glausi who many of our fans will remember from The Great Gatsby production. A few years ago, Tony made his way to New York City and finding a great deal of success – so we chat about this…
Oct032021
For this episode, we are proud to release 4 devised pieces that our student musicians worked on over the last several months. We worked with three dancers from #instaballet: Jade McAnally, Kyra Laubacher, and Tessa Castellano – and, once they recorded their videos, we got…
Aug072021
For this episode, Steve Vacchi takes us on a tour of his weird collection of instruments – from the contra-alto clarinet to something called the “hecklephone.” Not only does Steve like to collect some of these strange horns, he also happens to sound incredible on…
Jun282021
For this episode, we are featuring Lisa McWhorter and Hung-Yun Chu on a performance of Lili Boulanger’s Nocturne which is the first recording of chamber music recorded at the new Orchestra Next Studio which is in the new Midtown Arts Center! Our featured guest is John Reynolds…
Feb202021
For this episode, we are featuring Sarah Viens’ inspiring recording of Libby Larsen’s Fanfare for the Women which she recorded at Tykeson Hall at the Oregon Bach Festival’s Berwick Hall. Our featured guest is musician and ON board member Ray Morse who goes into thoughtful detail about…
Jan302021
PERSONAL GAME is a live theatre experience showcasing Ashley Baker’s costume designs, with original music by Orchestra Next. This unusual project – which is only open to members of the UO community because of current restrictions – features performers in costumes which abstractly express different paths…
Jan232021
Della Davis and Kathryn Brunhaver perform Reinhold Glière’s two movements from Huit Morceaux, Op. 39, for violin and cello – followed by a conversation with Ulrick Casimir, instructor of English at the UO. The conversation starts with some reflections on the inauguration – particularly with Amanda Gorman’s…
Jan172021
Tyler Abbott, principal bassist with Orchestra Next, performs his arrangement of Astor Piazzolla’s Milonga del Ángel, for six basses – followed by a conversation with Seth Kimmel, the Eugene-based luthier who made Tyler’s bass. To see the full video of Tyler’s arrangement, go to https://youtu.be/4qP4xL-7ys4…
Dec242020
According to legend, Sarah Viens composed a behind-the-scenes, truthful account of the story of HomeNut. A harrowing story, she never intended that it be published… but Maestro McWhorter learned of the poem and set it to music (as any self-respecting conductor would do). And not…
Dec192020
Orchestra Next is proud to announce the release of HomeNut – a radical recording project that involved all of our musicians recording their parts to The Nutcracker from home! In this episode, you’ll hear Sarah Viens and Brian McWhorter talk about how it all went down – so get ready,…
Dec122020
Jacqueline Cordova-Arrington, assistant professor of flute at the University of Oregon, performs Daniel Cueto’s Tuhuayo, for solo flute – followed by a conversation with Shannon Mockli, associate professor of dance. The conversation starts with Shannon’s description of how her body processed the music and evolves into…
Dec052020
Molly Barth talks with Brian McWhorter about her new virtual show “Ineffable” and performs Flute Set by Adolphus Hailstork. “Ineffable” is a fascinating show that features music by Andre Myers, Ricardo Zohn Muldoon, Adolphus Hailstork, Katherine Hoover, and Samuel Zyman – as well as poetry readings…
Nov292020
For the first act of this episode, we chat with David Mason, the Director of Facilities Services at the University of Oregon School of Music and Dance. He tells us about what it’s been like keeping the facilities open for instruction during the pandemic. The…
Nov152020
We’re gonna take a detour from our regular programming to offer this extended interview with composer, director, and accordionist Michael Ward-Bergeman. If you heard Episode 5, you heard him play on a radical new accordion that he invented. But for this interview, we took a…
Nov152020
For the first act of this episode, 11 year old cellist Maya Oddin joins in to talk about her teacher – Anne Ridlington – and a performance of Ysaÿe that Anne recently made. For the second act, we’re joined by composer, director, and accordionist Michael…
Nov082020
For the first act of this episode, we’ve paired Steve Vacchi’s performance of music by Jean-Daniel Braun with Carol Stabile, Interim Dean of the Clark Honors College. For the second act, we’ll hear some music and thoughts from special guest Mark Gould, former co-principal trumpet…
Oct312020
For the first act of this episode, we’ve paired Wonkak Kim and Grace Choi’s performance of Louis Cahuzac’s Cantilene with Doneka Scott, Vice Provost for Undergraduate Education and Student Success at the University of Oregon. For the second act, we’ll hear Laura Zaerr perform her composition River Right…
Oct232020
For this episode, we’ve paired Hung-Yun Chu’s performance of Schubert’s Impromptu op. 142 no. 3 with Barbara Mossberg, professor of literature at the University of Oregon. Later in the episode, we’ll hear from Lydia Van Dreel, principal horn with Orchestra Next and professor of horn at…
Oct152020
For our first episode, we’ve paired our musicians with members of the Eugene community. Lisa McWhorter’s performance of Bach is unpacked by local artist Phyllis Helland. And Pius Cheung’s performance of his own Etude in e minor is discussed by Bill Harbaugh, professor of economics at the…
